Although
the two paintings were done at almost the same time in history they have quite
a number of dissimilarities. Pallock's painting was an abstract painting in
fact, it is believed that Pallock did his painting in a drunken state and he simply
dripped paint on the canvas using a stick. The painting reflected the notion
that was prevalent at his time as nature was considered to be a disorderly mess
by many people. While one may easily
jump to the conclusion that Pallock’s work was just a doodle that had no
meaning, experts suggest otherwise. When the painting was subjected to a
computer for analysis, it was actually realized that the painting was an
intricate design of nature. It is this that led to the painting being termed as
an “order in chaos” (Taylor, 2002).
One of the most interesting findings
in the analysis of the painting of Pallock was the fractal patterns (Halsal,
2008).
Given that the painting was done in 1950, this was a remarkable discovery since
Pallock was painting the fractal pattern a quarter a century before they were
even discovered. To make sure that their finding was not a mere coincidence,
the experts subjected the painting to an even closer scrutiny. To their utter
amazement, the pattern was replicated all through the painting. It was this
discovery that led the experts to suggest that indeed, art can be used as one
of the accurate predictions of history
The American gothic, which is one of
the most famous of paintings, is a painting that is neatly and orderly done Art
Institute of (Art Institute of Chicago, 2004). One doesn’t need to gaze at the
painting for a long time before he can make out what the artist was painting.
The painting is quite clear as it is a picture of a man standing next to a
woman a fork in his hand. One of the most obvious impressions that the painting
will make is that the man and the woman are wearing very gloomy or maybe scared
faces. It is worth noting that the painting was done during the great
depression. The fork in the hand probably reveals that the man is a farmer and
the two are probably worried due to the hard economic times.
One of the most important
differences that can be spotted in the two paintings is the fact that the Autumn
Rhythm has been thought to be a painting of the future since it painted phenomena
that had not yet been unveiled. The fractal patterns that were discovered in Pallock's
painting were to be discovered twenty five years later after he had done his
painting. On the other hand, the American Gothic can be said to be a painting
of the present. Grant Wood captures the mood of his present day in the
painting. The great depression was a time of great disillusionment for business
man and farmer alike and there was a lot of uncertainly. Wood’s painting clearly reveals these themes
as seen in the gloomy faces of the man and the woman (Biel, 2008).
American spirit
Even though the
paintings are different in different ways, the artists lived around the same
time and it is this reason that makes the artists reveals some similarity in
their works. Both paintings were done at the back drop of the great depression.
Pallock's Autumn Rhythm can be viewed as a representation of the chaotic scene
that existed. In the same way that one could not decipher what exactly was on
the artist’s minds, the great depression was a time of confusion and people
were unsure of their destiny (O'Meally and Robert, 1998). They didn’t know what
to make of the current crisis and whether they would survive I tor not. This
same mood is capture by Wood. He paints a picture of a hopeless couple. The
woman is standing seemingly afraid behind the man while the man stands with a
blank stare with a fork in hand. It appears like the man is wondering a bout
the harvest that never was.
References
Art Institute of
Chicago. (2004). Grant Wood American,
1891-1942. Art Access. Retrieved 15th November, 2010 from http://www.wwnorton.com/catalog/spring05/005912.htm
Biel S. (2006). American Gothic. American Gothic: A Life of America's Most Famous Painting. New York: W
W Norton & Co Inc.
Halsal, F.
(2008) Systems of Art: Art History and
Systems Theory. Berlin: International Academic
Publishers
O'Meally &
Robert G. (1998). The Jazz Cadence of
American Culture. New York: Columbia
University Press.
Taylor,
R. (2002). Order in Pollock’s Chaos.
Retrieved 15th November, 2010 from
http://pages.uoregon.edu/msiuo/taylor/art/scientificamerican.pdf
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